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Blasting in My Brain

 

Washed Out "It All Feels Right"

This stuff really blows my mind. Ernest Greene, the creator of Washed Out, the best chillwave act out there, has taken a new tone.

Greene is really good at setting a tone with his cover art. His first album was a picture of a naked couple in a all white background intertwined in white sheets. Just felt like clouds. So did the music. This current album cover is colorful, sporadic, and tropical. So literally when I am hearing the supposedly over 50 instruments Greene used on this album, I am thinking jungle.

But still, with the drowning vocal and tantalizing sounds, Ernest Greene has created another work of art. The best example is "It All Feels Right."

Thankfully, Washed Out is gracing Louisville in November at Headliner's. Cheap too. I want.

Dance Music Rubbing Me The Right Way

I usually do not like dance music. To me, it just seems like white noise and hard to really distinguish what is going on in the song, but when I listened to Avicii's new album "True," I thought otherwise. His beats are more like a guitar riff, catchy and driving. Some have a folk influence, which is hardly ever done in his genre. The songs on the new album have a easier to understand structure, a key part that I find missing in other dance music. But anyways, I approve.

Edward Sharpe & the Magnetic Zeroes: Iroquois Amphitheater

 

 

This is the Year of The English Exchange

Yesterday, The English Exchange, a band of Bellarmine students, played in the Quad during free period. They showcased what Bellarmine should be about--students showcasing their craft for all to see. Make sure you check them out because they are the real deal. I wrote about them last semester for Bellarmine University's paper and I hope both of us can rise up in the ranks and I can write about them when they are much bigger. Won't be long. Get these guys some shows. They deserve it.

http://englishexchange.bandcamp.com/album/live-album

https://twitter.com/englishexchang3

https://www.facebook.com/theenglishexchange
 
   

Party at The Palace: Umphrey's McGeee and STS9

Last night was not just a concert. It was a show--with climaxes, sequences, and development--and that's what you can expect in an Umphrey's McGee and STS9 show consistently. After a short amount of time, you forget that these guys are playing songs because, to this audience member's ear, it sounds like a modern symphony from outer space. Everything was flowing together, alternating between ambient, flowing segments and hard rock, riff based jams. There were so many sounds coming from the same instruments. Their tempo was nicely balanced and their showmanship (for bands with a lack of lyrics) was great. Both bands were crowd pleasers. Covers of The Police, Blue Oyster Cult and The Rolling Stones capped off a rip-roaring hit spanning show.

Both of these bands are pure entertainment. You can enter a show for either of these bands never having been exposed to their music and you will, to say the least be stimulating. If it's not the gorgeous music, it was be the light show. I saw this reflected in the people in the seats. It was actually a diverse crowd. For bros to hipsters to older couples to a couple of teenage girls, The Louisville Palace did not just house a concert, but a production. A production of 21st century fun. It may take time to understand their creativity but once you enter a state of mind where you can relax and just dig deep into the music, Umphrey's McGee and STS9 will take you over.

The Umphrey's McGee/STS9 co-headlining bill continues tonight in Indianapolis and Chicago after that.